One of the important aspects of the annual Art Faculty and Alumni Exhibition is the chance for students to see the work of their instructors and former art students who have graduated. The works presented are exemplars of professional level art & design which are presented in a professional manner in the University Art Gallery.
Tony Esola “Homecraft” (2014), Sculpture
Tony Esola “Pair of Hotrods” (2021), Sculpture
Zach Clark “Brilliant Silence” (2022), Artist Book
KRISTEN ZIMMERMAN, “Ursula and the Clearning” (2022), Hand Bound Book, Mini Comic
KRISTEN ZIMMERMAN, “Decolonizing Journeys: Stories from Decolonize Race” (2023) Mini Comic
BETH KREBS “Attagirl” (2020), Sculpture
SUZY WEAR “Voyage” (2023), Watercolor
LUZ RUIZ, “Resiliency” (2022), Print
LUZ RUIZ, “Resiliency: Tunnel Book” (2022), Print
KATHERINE LEE, “Artist book “ (2023), Typographical Installation
SHARON WICKHAM, “There Are Many Ways” (2023), Hahnemuhle Archival Photographic Prints, Diptych
AMY DÍAZ-INFANTE SIQUEIROS, “Morning” (2023), Gouache
(1/3 “Wonder”)
(2/3 “Into the Light”)
(3/3 “Wrangling”)
SHARON WICKHAM, A Triptych from the “Be Brave Series” (2023) Hahnemuhle Archival Photographic Prints
KASIA KRZYKAWSKA APOLINARSKI, "Beuys, Coyote, Turkey." (2022), Sculpture Installation
LUIS CASAS, “You know you would. If you could “(2021), Sculpture
LUIS CASAS, “MEAT“(2022), Sculpture
KAL SPELLETICH, “The Orbital Speed Of Stars/Feeling The Speed Of Light” (2022), Sculpture with briefcase, light, motor, sound, electronics
KIRK LECLAIRE, "Summer Means Fun"(2023), Mixed Media
JAMES SAXON, “Crumple Pots”(2023), Bisque Ware
LISA HOFFMAN, “Angel Illuminating Sky”(2023), Photography
SCOTT HOPKINS, “Untitled”(2023), Photography
SCOTT HOPKINS, “Untitled”(2023), Photography
KIMBERLEE KOYM-MURTEIRA, “Fire Water”(2017), Photography
KIMBERLEE KOYM-MURTEIRA, “Fire Water 2”(2017), Print on Metal
NOEMI ZEIGLER, “Goal = Pop Star” (2023), Video
NOEMI ZEIGLER, “Sushi Pushy Blow” (2023), Video
KHOA HOANG "Oliver & Tommy"(2023), Acrylic on Wood
ISAURA MEDINA, "A Trip to the Moon'' (2023), Sculpture
K.C. KIRKSEY, “Wander” (2023), Cyanotype, Ink drawing on paper
K.C. KIRKSEY, “Patrol” (2023), Cyanotype, Ink drawing on paper
THEODORE DOMINGO, “My Block”(2021), Watercolor
VALENTINO LOYOLA, “Temporal Structural Fortified Space” (2023),Mixed Media
Mixed Media: Pigment-based Photo Print, Wood,Wiring, Metal, Hardware, Pigment Paint, Glue. Temporal Structural Fortified Space touches on the complex nature of our county’s development from the orchard-centric valley to a super high-tech hub of the globe and the architectural mega-construction tool that enables building higher, building more– cranes. This compound composition of past, present, and future elements is recognizable, however, what has intentionally been omitted are the humanness figures representing the people who activate these mechanics and apparatus of development. This piece beckons the audience to envision themselves or people they know from all walks of life who have contributed to the beautification of Santa Clara County.
SUSANA VEIGA NEUHAUS DENCHASY, “À Beira do Paraíso” (2023), Oil on Canvas
The paintings "À Beira do Paraíso I and II" are part of the series “Desabrochando”. In English desabrochando means blossoming. I have spent my entire life making things, creating opportunities to paint, draw, manipulate materials, and channel my emotions but only in the last six years have I been learning techniques and Art History that influence my paintings. I am now focusing on developing my approach. Working on a big scale for me is very appealing, as an active person, I love the dynamic of having the paint spread on the floor where I can make decisions on the spot and move around, using my body as a guide. Lead by memory, feelings, and intuition I revisit my childhood, the landscapes of my home in Brazil, but also the landscapes I have visited in North America. The environment I live in also influences my work, being surrounded by water and the connection I believe we have with water, if we think about it, our body is mostly made of water, our planet and every living creature needs water. When painting I use solvents to manipulate paint, most of the time I want the paint to be transparent and thinner, fluid and reflective, like the water I feel under my feet, I hear when falling asleep living aboard a sailboat. “Desabrochando” is an ongoing series in search of cosmic connections between humans and nature.
CALEB RIEMER, “Daidalos” (2023) Oil and acrylic
SHARON KINKADE, “Happy Place”(2021), Watercolor
PHILIP RINGLER, “Almost Paradise: Shanghai Ghost Apartment” (2016), Photography
MATT RITCHIE, “136”(2019), Acrylic on wood
DEBRA A. COLLINS “Above The Understory” 2023), handcut paper
DEBRA A. COLLINS “The Inner Story” (2023), handcut paper
AYESA LOVE “Cyber Punk Degens” (2023), Procreate, Digital Print
CHASE MEË “2023” (2023), Digital art print
CASEY GIELEN “Daybreak” (2023), Photography
CASEY GIELEN “Twilight” (2023), Photography
KIM CHAMPION “Untitled” (2023), Mixed Media Drawing
SAMANTHA GRAHAM “Glass Flower Tiles” (2022), glass
EYAEAL FISSEHA "Look Up" (2021), Watercolor
GERALD THOMPSON “Through the Looking Vase” (2014) Photography
M.S. Education Online Teaching and Learning 2002
COLTON THOMAS “Self Portrait” (2023), Oil on canvas
NICK SZABO “Networks” (2023) Block print, oil based ink, colored pencil
ELIZABETH ZUNINO “Entrance”(2023), Sculpture, Textile
NICK SZABO “Untitled”(2023), Acylic, Lino Print, and Ink on Wood
LILIANA HERRERA “Dear Soulmate I” (2022), Acrylic
LILIANA HERRERA “Dear Soulmate IlI” (2022), Acrylic